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In chapel style: voices alone, without instrumental accompaniment.
Printed at the head of a choral piece or section to say the voices sing unaccompanied; any keyboard part in the score is then for rehearsal only, often marked so. It holds until an accompaniment enters.
Also spelled: alla cappella
Unaccompanied voices rely on tuning and on harmony that supports itself: keep lines singable, give singers pitch references after modulations, and expect long pieces to drift. In Baroque usage the phrase could mean the old church style, in which instruments merely doubled the voices, so an early score marked a cappella may still list instruments.
A cappella is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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