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Comparison

Gradus vs. MasterClass

A practice system designed around composition, against a catalog of celebrity-led video courses designed for inspiration. Both belong on a serious composer’s shelf — for very different reasons.

The headline difference

MasterClass is excellent at what it is — a celebrity-led inspirational catalog. Watching Hans Zimmer narrate a Hollywood scoring session is genuinely valuable, the same way watching Roger Federer talk about footwork is valuable for a tennis amateur. What MasterClass does not do is put you on the court. Gradus is the practice system. Every lesson ends with a composition challenge written on a real staff with notation feedback, and there is a personal composition professor inside the page to critique your work.

Side by side

What you get
Gradus
MasterClass
Format
Daily practice system. Every lesson ends with a composition challenge. Master Sketchbook for full orchestral writing.
Celebrity-led video lessons (Hans Zimmer, Itzhak Perlman, Carlos Santana, Alicia Keys, others). Watch-and-learn style.
Depth
Multi-year curriculum across ten stages — single melodic line through fugue, Romantic harmony, twentieth-century technique, full orchestration.
Each course is roughly 3–5 hours of video. Designed as inspirational deep dives, not progressive curricula.
Instructor model
Maestro — a personal composition professor available in every lesson and every studio. Critique by Maestro returns a 32-dimension scorecard on student compositions.
Pre-recorded video lectures. The instructor does not respond to your work. Office Hours feature is intermittent and broadcast-style.
Source materials
Primary sources: Fux, Albrechtsberger, Boulanger, Lasser, Marpurg, Bach-Schiorring chorales, Mozart-Attwood notebooks.
The instructor’s personal style and process. A film-scoring class teaches the instructor’s film-scoring approach, not the conservatory tradition.
Practice expectations
Composition challenge at the end of every lesson. Students write music from day one and ship pieces every week.
Optional workbook exercises for some classes. No required submissions. No feedback on your work.
Score study
458 annotated works (50 orchestral masterworks plus 408 Bach chorales) with over 14,500 commentary entries.
Brief reference clips to specific scores. No bar-by-bar annotation library.
Pricing
$19.99/month or $179.88/year (saves 25%). All content unlocked.
$15–$20/month annual subscription for the full catalog (all classes — music, cooking, writing, etc.).
Best for
Students committed to the long discipline of writing music — daily practice, multi-year arc, traditional curriculum.
Inspiration, exposure to a famous artist’s working method, casual viewing, gift subscriptions.

Choose MasterClass if

  • You want exposure to a specific famous artist’s working method (Hans Zimmer film scoring, Itzhak Perlman violin, Alicia Keys songwriting).
  • You enjoy learning by watching long-form interview-style lessons and want a wide cross-discipline catalog.
  • You don’t need feedback on your own work and aren’t looking for a progressive curriculum.

Choose Gradus if

  • You want to write music — your own pieces, finished, week after week.
  • You want a personal composition professor who responds to your work.
  • You want a long curriculum grounded in primary sources, not a single artist’s personal style.
  • You want score study, ear training, and orchestration alongside the writing practice.

A generated score is not composition — any more than a calculator is mathematics.

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