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Exercise
Corpus id bass-255 · cite this id — it is permanent
The sixth-chord stream at speed: six first inversions in quarter notes, the whole texture sliding in parallel until the dominant stops it.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Bass | F3 | E3 | D3 | C3 | B♭2 | A2 | G2 | C3 | F3 | |||||||
| Figures | 6 | 6 | 6 | 6 | 6 | 6 | ||||||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Soprano | C5 | C5 | B♭4 | A4 | G4 | F4 | E4 | E4 | F4 | |||||||
| Alto | A4 | G4 | F4 | E4 | D4 | C4 | B♭3 | C4 | C4 | |||||||
| Tenor | F4 | G4 | D4 | A3 | B♭3 | C4 | G3 | G3 | A3 | |||||||
| Bass | F3 | E3 | D3 | C3 | B♭2 | A2 | G2 | C3 | F3 | |||||||
| Figures | 6 | 6 | 6 | 6 | 6 | 6 | ||||||||||
Stage 3 taught the stream as a texture; here it is an engine — six chords in six beats, running the bass down a sixth while soprano and alto ride their parallel tracks. Speed changes nothing about the discipline: the doubling voice still zigzags between the letter-classes, arriving by contrary or oblique motion at every turn.
The three upper voices of the model realization fit under one hand. The same stream you learned in halves, now at walking speed. The outer voices slide in parallel; only the inner doubler has to think. Carry it into C major, G major.
Gradus Figured-Bass Corpus, bass-255 — Sixth-chord stream in quarters. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-255
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-255