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Exercise
Corpus id bass-214 · cite this id — it is permanent
The deceptive cadence in minor: the bass rises only a half step to the major submediant, and the refusal turns from surprise to shadow.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Bass | D3 | G2 | A2 | B♭2 | G2 | A2 | D3 | |||
| Figures | # | # | ||||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Soprano | F4 | G4 | E4 | D4 | D4 | C♯4 | D4 | |||
| Alto | D4 | D4 | C♯4 | D4 | B♭3 | A3 | A3 | |||
| Tenor | A3 | B♭3 | A3 | F3 | G3 | E3 | F3 | |||
| Bass | D3 | G2 | A2 | B♭2 | G2 | A2 | D3 | |||
| Figures | # | # | ||||||||
Both resolving voices land on the same tone: the leading tone rises to the tonic degree, the second degree falls to it, and the doubled third they make is the submediant’s. In minor the bass itself moves by semitone onto ♭6 — the refusal and the mode’s darkest degree in one gesture.
The three upper voices of the model realization fit under one hand. The bass moves a half step where the major version moved a whole one — the deception arrives closer to home, and darker for it. Carry it into A minor, G minor.
Gradus Figured-Bass Corpus, bass-214 — Deceptive cadence, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-214
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-214