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Exercise
Corpus id bass-212 · cite this id — it is permanent
The minor plagal close: the same confirmation after the true close, darkened by the minor subdominant and the sixth degree falling inside it.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Bass | D3 | G2 | A2 | D3 | G2 | D3 | ||||
| Figures | # | |||||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Soprano | F4 | G4 | E4 | D4 | D4 | D4 | ||||
| Alto | D4 | D4 | C♯4 | A3 | B♭3 | A3 | ||||
| Tenor | A3 | B♭3 | A3 | F3 | G3 | F3 | ||||
| Bass | D3 | G2 | A2 | D3 | G2 | D3 | ||||
| Figures | # | |||||||||
The confirming close carries minor’s signature inside it: as the subdominant settles home, the alto falls from the sixth degree to the fifth — the same half-step pull that drives the Phrygian close, here spent gently over a tonic already won.
The three upper voices of the model realization fit under one hand. Compare the last two bars with the major version played just before: one tone lower in the alto, and the amen turns grave. Carry it into A minor, G minor.
Gradus Figured-Bass Corpus, bass-212 — Plagal cadence, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-212
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-212