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Exercise
Corpus id bass-1 · cite this id — it is permanent
Root-position triads over a bass that moves by fourths and fifths — the most natural root motion there is.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Bass | C3 | F3 | C3 | G2 | C3 | D3 | G2 | C3 |
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Soprano | C5 | C5 | C5 | B4 | C5 | A4 | B4 | C5 |
| Alto | G4 | A4 | G4 | G4 | G4 | F4 | G4 | G4 |
| Tenor | E4 | F4 | E4 | D4 | E4 | D4 | D4 | E4 |
| Bass | C3 | F3 | C3 | G2 | C3 | D3 | G2 | C3 |
The soprano holds C across the first three chords, so only the inner voices carry the change of harmony.
The three upper voices of the model realization fit under one hand. Left hand takes the bass alone; the right hand holds all three upper voices. Carry it into G major, F major, D major.
Gradus Figured-Bass Corpus, bass-1 — Bass in fifths. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-1
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-1